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DePriest E.B. WHEELER: the faithful trombone 2/2

“With [Reuben] Reeve’s trumpet and the Nanton-styled soloing of DePriest Wheeler, the band had quite an Ellington flavor.” This is how Steve Voce, the famous British jazz columnist, described Cab Calloway’s faithful trombonist, DePriest WHEELER, in a 1957 interview of the maestro. Now completely forgotten, although Wheeler enjoyed a certain degree of recognition in the 1930s, alongside Cab, with whom he made most of his career. PART 2: Life WITH and AFTER Cab Calloway... Read the full story →

DePriest E.B. WHEELER: the faithful trombone 1/2

“With [Reuben] Reeve’s trumpet and the Nanton-styled soloing of DePriest Wheeler, the band had quite an Ellington flavor.” This is how Steve Voce, the famous British jazz columnist, described Cab Calloway’s faithful trombonist, DePriest WHEELER, in a 1957 interview of the maestro. Now completely forgotten, although Wheeler enjoyed a certain degree of recognition in the 1930s, alongside Cab, with whom he made most of his career. PART 1: Life BEFORE Cab Calloway... Read the full story →

Cab Calloway: the Freemason and his brother musicians

  Jazzmen and Freemasonry… You almost never read articles on this topic despite the fact that all jazz musicians are deeply spiritually minded! Undoubtedly because there is little study on jazz and Freemasonry. French jazz musician and researcher Raphaël IMBERT initiates us into the relationship between jazz and Masonic lodges, and in a more general overview, spirituality, with his book “Jazz Supreme: Initiés, Mystiques et Prophètes,” (L’éclat poche, 2018). Published in French and updated several times, it is revered as the international reference on this matter. By empowering African Americans, Freemasonry also allowed jazzmen to create a new corporatism close to a fraternity. The Hi De Ho Blog is particularly focused on Brother Cab Calloway, who was introduced to Masonry by his musicians.   Read the full story →

Betty Boop’s Cartoon: “Minnie The Moocher” (1932)

“Minnie the Moocher” starring Betty Boop and Cab Calloway, bounces along just like the hot jazz number on the soundtrack. Still popular today on social media, with colorized and high-definition restorations, the 8 minutes of film is a funny musical dream sequence with various animated creatures singing along to the title tune, supplying plenty of hi-de-ho’s in response to Cab’s singing. Read the full story →

THE SLAPPING CAREER OF BASSIST AL MORGAN 4

Now forgotten and eclipsed by Milt Hinton, his brilliant successor in Calloway’s orchestra, Albert ‘Al’ MORGAN (August 19, 1908, New Orleans – April 14, 1974, Los Angeles), however, benefits from the image of an exceptional double bass player, considered one of the pioneers of slapping, in the same ranks as Wellman Braud or Pops Foster. During his career, Al Morgan walked his bass from the Riverboats on the Mississippi to New York, Europe, Boston, and Hollywood. PART 4: Back in California Read the full story →

THE SLAPPING CAREER OF BASSIST AL MORGAN 3

Now forgotten and eclipsed by Milt Hinton, his brilliant successor in Calloway’s orchestra, Albert ‘Al’ MORGAN (August 19, 1908, New Orleans – April 14, 1974, Los Angeles), however, benefits from the image of an exceptional double bass player, considered one of the pioneers of slapping, in the same ranks as Wellman Braud or Pops Foster. During his career, Al Morgan walked his bass from the Riverboats on the Mississippi to New York, Europe, Boston, and Hollywood. PART 3: in Boston with Sabby Lewis Read the full story →

THE SLAPPING CAREER OF BASSIST AL MORGAN 2

Now forgotten and eclipsed by Milt Hinton, his brilliant successor in Calloway’s orchestra, Albert ‘Al’ MORGAN (August 19, 1908, New Orleans – April 14, 1974, Los Angeles), however, benefits from the image of an exceptional double bass player, considered one of the pioneers of slapping, in the same ranks as Wellman Braud or Pops Foster. During his career, Al Morgan walked his bass from the Riverboats on the Mississippi to New York, Europe, Boston, and Hollywood. PART 2: After Cab Calloway, in California Read the full story →

THE SLAPPING CAREER OF BASSIST AL MORGAN 1

  Now forgotten and eclipsed by Milt Hinton, his brilliant successor in Calloway’s orchestra, Albert ‘Al’ MORGAN (August 19, 1908, New Orleans – April 14, 1974, Los Angeles), however, benefits from the image of an exceptional double bass player, considered one of the pioneers of slapping, in the same ranks as Wellman Braud or Pops Foster. During his career, Al Morgan walked his bass from the Riverboats on the Mississippi to New York, Europe, Boston, and Hollywood. PART 1: In New Orleans and with Cab Calloway Read the full story →